I don't do
cathedrals.
For sure, they can be full of fantastic art and give us meaningful insight into the beliefs and ways of life of the past. That's all great. I might peek in one if I happen to stumble upon one and feel like some solemnity might be in order. But seriously, when you enter your fifth cathedral, do you still remember the first? When you've read the plate about the painter of the frescos, taken a picture of the altar and stepped back out into the sunshine, has any of it stuck with you?
For sure, they can be full of fantastic art and give us meaningful insight into the beliefs and ways of life of the past. That's all great. I might peek in one if I happen to stumble upon one and feel like some solemnity might be in order. But seriously, when you enter your fifth cathedral, do you still remember the first? When you've read the plate about the painter of the frescos, taken a picture of the altar and stepped back out into the sunshine, has any of it stuck with you?
I'm wary of
museums, too. If I live in a place for a year, then, of course: I'll probably
visit most of them. I'm profoundly interested in history, politics, art, design – all that stuff that museums are usually good at. But a museum run in the sense of
a pub crawl is beyond the point. On this trip, as I've been constantly moving from place to place, I still haven't been inside one
single museum.
You know, there are
these guide books, "Lonely Planet" they are called, and they are awfully
popular. You'll find them in the backpacks of almost every traveller in almost
any hostel. At the tables of the hostel bar, the backpackers compare notes with
each other and discuss which Lonely Planet recommended experience they have or
haven't done yet.
One series of books the Lonely Planet Corporation has is called X on a Shoestring. It's for people for whom seeing a country or two
isn't enough; they want to travel at least half a continent. Europe on a Shoestring. Southeast Asia on a
Shoestring. The World on a Shoestring (coming up). The word shoestring is supposed to refer to cheap
travel, but in my mind, it evokes an image of someone drawing a line from the
main attraction to another onto a map with the help of a string and then
sticking to it.
I used to
own one of those books too, years back, and I know what great writers they
have. All you have to do is to open one of them, any of them, and you'll feel like you're
missing out on some great fun somewhere in the world. "Be sure not to miss
the amazing experience of...", they'll write. "Ideally, you'll get to
X the night before, do Y and Z, and then get up early the next morning
to..."
And the
readers do! They dash from rafting to horseback riding, from canopy tour to hot
springs, from mountain biking to temple ruins, from bird-watching to swimming
with the dolphins. And inside cities, from cathedrals to museums. Tick-tick-tick,
they tick off to-do lists in their guidebooks, click-click-click, they snap the selfies with the temple ruin or
the friendly dolphin, tap-tap-tap they
post them for the world to see. At the end, they'll feel like they've seen
everything there was in the country to see.
What I like
to do is watch. I watch people, how they go about their life, what kind of work
they do, where they go. I listen to the people on the streets and buses, see
how they talk to their friends, partners, or strangers. I observe how mothers
and fathers behave with their children, what children are allowed to do and what
not, how the children play and how they talk to their parents. I look at what
people eat and what they buy, what happens in situations of buying and selling,
what kind of shops there are.
I look at
how people have decorated their houses or their yards. I watch celebrations of
birthdays or other parties in the streets or in parks. I try to find places
where I can hear people sing or see them dance. I go to places where local people go: bus stations, cinemas, educational institutions, vegetable markets. I visit parks and squares and observe how people spend their free time, and what kind of people seem to have free time. I look at how people laugh.
Whenever I get the chance, I talk with the locals and ask them questions, but I rarely approach complete strangers – as an intruding outsider, I feel I don't have the right. I like to remind myself that whenever I set my foot in some city, I'm stepping into other people's home, and none of that was made just so that I could have a great experience.
Before I arrive, or during the first days, I try
to read or hear and understand as much of the local history as possible. After
that, I just breathe in the way of life. There's so much of it, you don't have
to worry about it running out anytime soon.Whenever I get the chance, I talk with the locals and ask them questions, but I rarely approach complete strangers – as an intruding outsider, I feel I don't have the right. I like to remind myself that whenever I set my foot in some city, I'm stepping into other people's home, and none of that was made just so that I could have a great experience.
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